Fine Line Between Earned and Paid Media

I read a smart post by Dave Fleet about “Why Paying Bloggers For Posts Changes the Game.”  He basically says that paying for the post turns it into paid media, also known as advertising. And if the media, or coverage, is paid for then perhaps the advertiser influences the content.

This paid content emerges as something different from what we see in mainstream media. Newspapers and broadcasters typically aren’t paid by brands to cover anything. Journalists share the facts and editorialize based on research that’s ideally not influenced directly by payment from advertisers.

However, as I stated in another post here, “Some might argue that print and broadcast media outlets are indeed influenced by advertisers, especially these days due to declining revenue.” It’s hard to imagine that mainstream media doesn’t at times treat big brands buying millions of ads more favourably.

Jumping to the comments section of Dave’s post, one commenter asks, “Isn’t the mere acceptance of so many ‘freebies’/products/trips/event tickets/ etc., etc., tantamount to accepting cash?” She refers to PRs sending products to reporters for them to review. I don’t think it’s the same as accepting cash because the journalist is obliged to provide an honest and fair review after getting the so-called freebie. They can’t write about it if they don’t experience it first.

Another POV comes from Jen Maier who runs the UrbanMoms blog network. She argues here that networks should operate like mainstream media and pay bloggers for their writing. The advertisers and sponsors pay to be part of this influential network (one million plus views per month) for the same reason an advertiser appears in the Globe and Mail: the brand wants to be seen and appreciated by its many readers.

Perhaps comparing a vast blog network to a standalone blog is like comparing apples to oranges since the writer in the blog network isn’t paid directly by the advertiser.

So what does this mean for PR and earned media? Fewer bloggers to pitch based solely on the merit of the story, for one thing. It also means that the lines are blurring between paid and earned media, between church and state. There’s a finer line now between editorial and advertising that needs consideration by all parties: bloggers, brands, agencies.

So as always, PR pros need to know whom they’re pitching. They also need to understand the shifting nuances of earned vs. paid media.

Toronto Parks and Trees Foundation

Last night I saw the power of what a group of dedicated people can do for a good cause.

The Toronto Parks and Trees Foundation is a charitable public foundation dedicated to enhancing Toronto’s green spaces. For the past three years on the Monday after Mother’s Day, the Foundation has hosted an annual Green Tie Event to raise money to support the various programs and community groups funded by TPTF.

These programs include tree and bulb plantings, camps and environmental awareness; great grassroots initiatives all committed to getting people involved in growing and enjoying Toronto’s wonderful green spaces. In fact, the Foundation wants to double Toronto’s canopy to ensure that the city’s scenic beauty continues to be enhanced.

Last night’s celebration brought together more than 200 tree huggers and friends of the Foundation for a great evening. Part of the fun, the highlight really, was a solo-acoustic performance by Steven Page who reminded everyone that he is a world-class performer. He sang some new songs off his recent release, A Singer Must Die, and an old favourite from his Barenaked Ladies days. He also made us laugh with his smart wit; Mr Page is a funny man.

It all reminded me why I volunteer with the TPTF as a Board member: I get to work with great people for a tremendous organization that truly benefits our city.

Brand Story

Here’s another great example of how brands can tell wonderful stories. Petro-Canada, as part of its 2010 Olympic program, commissioned “British Columbia-based artist Klatle-Bhi to carve a 22-foot totem pole, called the 2010 Legacy Pole, to commemorate the company’s sponsorship of the Games, and to promote the cultural and economic opportunities made possible through hosting the 2010 Winter Games.”

The video focuses on the artist’s work and his vision and the link to the Petro-Canada brand is subtle which makes the video that much more watchable and also makes the brand experience exceptionally positive.